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Culture Jamming at Meripustak

Culture Jamming by Marilyn DeLaure Moritz Fink Mark Dery, MARSTON BOOK SERVICES LTD

Books from same Author: Marilyn DeLaure Moritz Fink Mark Dery

Books from same Publisher: MARSTON BOOK SERVICES LTD

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  • General Information  
    Author(s)Marilyn DeLaure Moritz Fink Mark Dery
    PublisherMARSTON BOOK SERVICES LTD
    ISBN9781479806201
    Pages464
    BindingPaperback with Sewin
    LanguageEnglish
    Publish YearFebruary 2017

    Description

    MARSTON BOOK SERVICES LTD Culture Jamming by Marilyn DeLaure Moritz Fink Mark Dery

    A collaboration of political activism and participatory culture seeking to upend consumer capitalism, including interviews with The Yes Men, The Guerrilla Girls, among others. Coined in the 1980s, "culture jamming" refers to an array of tactics deployed by activists to critique, subvert, and otherwise "jam" the workings of consumer culture. Ranging from media hoaxes and advertising parodies to flash mobs and street art, these actions seek to interrupt the flow of dominant, capitalistic messages that permeate our daily lives. Employed by Occupy Wall Street protesters and the Russian feminist punk band Pussy Riot alike, culture jamming scrambles the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo. The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture jamming is at once playful and politically transgressive, this accessible collection explores the degree to which culture jamming has fulfilled its revolutionary aims. Featuring original essays from prominent media scholars discussing Banksy and Shepard Fairey, foundational texts such as Mark Dery's culture jamming manifesto, and artwork by and interviews with noteworthy culture jammers including the Guerrilla Girls, The Yes Men, and Reverend Billy, Culture Jamming makes a crucial contribution to our understanding of creative resistance and participatory culture.



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