Description
Manohar Publishers & Distributors Essays in National Idealism by Ananda K Coomaraswamy
About The Book: These essays delve into the essence of India's national movement, highlighting its idealistic nature. They stress that beyond the visible aspects of this struggle, its deeper significance often eludes both India and England. Understanding this depth is vital to generate genuine empathy for India's battle against foreign domination. It's not just a political conflict; it represents a quest for spiritual and intellectual freedom from foreign influences. Purely political and economic victories fall short; real freedom must transcend material gains. These essays argue that nations are shaped more by art and poetry than by trade and politics. Art embodies the essence of life, which India seeks to realize through self-sacrifice and self-discovery, ultimately giving rise to a spiritually endorsed nationalism. Additionally, the essays underscore the power of art to revitalize India, both spiritually and materially. The decline in artistic comprehension among modern Indians correlates with the nation's inefficiency and poverty. Contrasting this with Japan, where national art contributes to strength, highlights the pivotal role of art in a nation's well-being. Furthermore, the author delves into various subjects, ranging from the profound importance of the Indian Nationality struggle to reflections on the continued significance of Gramophones in society. About The Author: Ananda K. Coomaraswamy (1877-1947) was a prominent Ceylonese metaphysician, historian, and philosopher of Indian art. He played a crucial role in introducing Indian culture and art to the West. He contributed significantly to the fields of art, literature, and religion, promoting the continuity of culture and traditional symbolism. He co-founded the Perennialist School, emphasizing the unity of Vedanta and Platonism. Coomaraswamy's extensive bibliography includes works on traditional art, metaphysics, and social criticism, making him a leading figure in the study of Eastern and Western philos