Description
SAGE PUBLISHING Popular Music 4 Volumes Set 2011 Edition by Rojek
This collection focuses on social science perspectives of popular music since the late 1970s. Since then, social scientists like Simon Frith, Larry Grossberg, Will Straw, Paul Willis, Andy Bennett, Keith Negus, Howard Becker and Sarah Thornton have intensively examined the phenomenon of popular music from a social science and cultural studies perspective. This is part of the same move in the social and cultural sciences that has magnified Visual Culture, Celebrity Culture, Television Studies, Film Studies, Media & Communication, Fashion, and much else besides as legitimate subjects for academic enquiry. This move has become known as 'the Cultural Turn'.This collection launches from the Cultural Turn, but it will also incorporate key articles from the early social science of pop music. The aim will be to provide researchers and libraries with a four volume distillation of the best that has been thought and published in the academic study of popular music.Volume One: History and Theoretical Traditions provides the historical and theoretical anchor for the remainder of the set.Volume Two: Mode of Production brings together material that relates the production of popular music to technology, production, distribution and consumption, amongst others.Volume Three: Institutions of Popular Music examines the academic literature on the main social and 'cultural intermediaries' of popular music such as impression managers, new systems of music promotion and informal politics. Volume Four: Cultures and Subcultures of Popular Music guides the reader through music subcultures, audiences and globalization. VOLUME 1: HISTORY AND THEORETICAL TRADITIONSDefining the PopularPopular - Raymond WilliamsIntroduction from The Troubadours - Robert BriffaultThe Troubadour Tradition in Italy and England - Robert BriffaultOn Popular Music - T. AdornoAuthorship - Will StrawTowards an Aesthetics of Popular Music - S. FrithWhy 1955? Explaining the Advent of Rock Music - Richard PetersonThe Music Industry and the 'Cultural Imperialism' Thesis - Dave LaingWorld Beat and the Cultural Imperialism Debate - A. Goodwin and J. GoreDisciplinary ApproachesMusicologyAnalyzing Popular Music: Theory, Method and Practice - Philip TaggPopular Music Analysis and Musicology: Bridging the Gap - Richard MiddletonSociologySociological Approaches to the Pop Music Phenomenon - Paul HirschTowards a Cultural Sociology of Popular Music - Andy BennettCulture, Media and CommunicationSystems of Articulation, Logics of Change: Communities and Scenes in Popular Music - Will StrawMadonna: Mother of Mirrors - John CastlesPolitical ScienceThe Politics of Popular Music - Michael BirchThe Politics of Youth Culture: Some Observations on Rock and Roll in America - Lawrence GrossbergPsychologyFrom the Functions of Music To Music Preferences - Thomas Schafer and Peter SedimierSelective Hearing: Gender Bias in the Music Preferences of Young Adults - Brett MillarPhilosophyValuing and Evaluating Popular Music - Theodore GracyzkA Critique of Folk, Popular and 'Art' Music - Frank HowesCultural GeographyRecorded Music and Practices of Remembering - Ben AndersonThe Anomalies of being Faye (Wong): Gender Politics in Chinese Popular Music - Anthony Fung and Michael CurtinVOLUME 2: TECHNOLOGY AND COPYRIGHTFormations of TechnologySound Studies: New Technologies and Music - Trevor Pinch and Karin BijsterveldArt versus Technology: The Strange Case of Popular Music - Simon FrithThe Sound of Music: Technological Rationalization and the Production of Popular Music - Paul Theberge The Walkman Effect - Shuhei HosokowaLong Play: Adult-Orientated Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA - Keir KeighthleySample and Hold - A. Goodwin Building International Empires of Sound: Concentrations of Power and Property in the 'Global' Music Market - Jack BishopFlexibility, Post-Fordism and the Music Industries - David HesmondhalghGlobalization of Mass Media Ownership: Implications and Effects - Paul HirschCopyright and Illegal Downloading Copyright and the Music Business - Simon FrithThe Effects of Piracy upon the Music Industry: A Case of Bootlegging - Lee MarshallNew Digital Technologies: Privacy/Property, Globalization and Law - Matthew David and Jameison KirkhopeCultures of Copying: Digital Sampling and Copyright Law - L. Bentley and B. ShermanSampling and Copyright - L. BentlyReconstructing the Soul of Elvis: The Social Development and Legal Importance of Elvis Presley as Intellectual Property - David WallThe Age of Consent: Traditional Music, Intellectual Property and Changing Attitudes in the People's Republic of China - H. ReesVOLUME 3: REPRESENTATION AND CONSUMPTIONRepresentationThe Content and Validity of Music-Genre Stereotypes among College Students - Peter Rentfrow and Samuel GoslingMusic as Symbol, Music as Simulacrum: Postmodern, Pre-Modern and Modern Aesthetics in Subcultural Musics - Peter ManuelFrom the Margins to the Mainstream - R. HuqOpen Letter: 'Black Music', 'Afro-American Music', and 'European Music' - Philip Tagg'Leer-ics' and Lyrics: Teenage Impressions of Rock 'n' Roll - Lorraine Prinsky and Jill Leslie RosenbaumStarsFrank Sinatra: The Popular Front and an American Icon - Gerald MeyerRock Culture: The Dialectics of Life and Death - David RoweMediaPop Music and the Press - James TrammellRadio Space and Industrial Time: Music Formats, Local Narratives and Technological Mediation - Jody BerlandMTV and the Globalization of Popular Culture - Jack BanksThink Globally, Act Locally: China's Rendezvous with MTV - Anthony FungFrom Music Publishing to MP3: Music and Industry in the Twentieth Century - Reebee Garofolo"Reality Goes Pop!": Reality TV, Popular Music and Narratives of Stardom in Pop Idol - Su HolmesFansWhat about the Univores? Musical Dislikes and Group Based Identity Construction among Americans with Low Levels of Education - Bethany BrysonAmateur Experts: International Fan Labour in Swedish Independent Music - Nancy Baym and Robert BurnettCo-Creative Labour - John Banks and Mark DeuzeVOLUME 4: CULTURES AND SUBCULTURES OF POPULAR MUSICCulturesCultures of Music Piracy: An Ethnographic Comparison of the US and Japan - Ian CondryYouth Culture, Music and Cell Phone Branding in China - Jing WangJ-Pop and Performances of Young Female Identity: Music, Gender and Urban Space in Tokyo - Csaba TothRap Music and the Black Musical Tradition: A Critical Assessment - Andre Craddock-WillisYouth Subcultures and their Cultural Contexts - Jon StrattonSubculturesSubcultural Identity in Alternative Music Culture - Holly KruseDigital Subculture: A Geek Meaning of Style - J. A. McArthurOn the Evolution of Rai Music - Hana Noor Al-deenSubcultures or Neo-Tribes: Rethinking the Relationship between Youth, Style and Musical Taste - Andy BennettHeavy Metal Music: A New Subculture in American Society? - Robert GrossHomies in the Hood: Rap's Commodification of Insubordination - Ted SwedenbergCreating a Scene: Balinese Punk Beginnings - E. BaluchRave and Straightedge: Exploring Online and Offline Experiences in Canadian Youth Subcultures - B. Wilson and M. AtkinsonWorld Music/Hybrid FormationsBetween Globalization and Localization: A Case Study of Hong Kong Popular Music - Wai-Chung HoOn Redefining the 'Local' Through World Music - J. GuilbaultWorld Music: Deterritorializing Place and Identity - John Connell and Chris Gibson