×







We sell 100% Genuine & New Books only!

Postopera Reinventing the Voice-Body 2015 Edition at Meripustak

Postopera Reinventing the Voice-Body 2015 Edition by Jelena Novak , Taylor & Francis

Books from same Author: Jelena Novak

Books from same Publisher: Taylor & Francis

Related Category: Author List / Publisher List


  • Price: ₹ 13212.00/- [ 17.00% off ]

    Seller Price: ₹ 10966.00

Estimated Delivery Time : 4-5 Business Days

Sold By: Meripustak      Click for Bulk Order

Free Shipping (for orders above ₹ 499) *T&C apply.

In Stock

We deliver across all postal codes in India

Orders Outside India


Add To Cart


Outside India Order Estimated Delivery Time
7-10 Business Days


  • We Deliver Across 100+ Countries

  • MeriPustak’s Books are 100% New & Original
  • General Information  
    Author(s)Jelena Novak
    PublisherTaylor & Francis
    ISBN9781472441034
    Pages192
    BindingHardback
    LanguageEnglish
    Publish YearJune 2015

    Description

    Taylor & Francis Postopera Reinventing the Voice-Body 2015 Edition by Jelena Novak

    Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bete (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera's meanings. Table of contents :- Contents: Foreword, Louis Andriessen. Part I Focusing on Body Singing: Postopera and vocalic body; Body-voice gap, postopera and body/voice theory. Part II Voices Beyond Corporeality: Performing Singing as Upgrading: Singing beyond the body: uniqueness, intruder and prosthesis; Monstrous singing: the politics of vocal existence. Part III Throwing the Voice, Catching the Body: Opera, Ventriloquism, and De-Synchronization: Operatizing the film: body without voice and voice without body; Singing letters, multiplied bodies, and dissociated voice. Part IV Singing Gender as a Performance: Voice and gender standing apart; Vocal drag, counter-castrato, and the scandal of the singing body. Reinventing the vocalic body in postopera: conclusion. Bibliography; Index.



    Book Successfully Added To Your Cart