×







We sell 100% Genuine & New Books only!

Sources of Dramatic Theory 1 Plato to Congreve at Meripustak

Sources of Dramatic Theory 1 Plato to Congreve by Michael J Sidnell and Contributions by D J Conacher and Contributions by Barbara Kerslake and Contributions by Pia Kleber and Contributions by C J McDonough and Contributions by Damiano Pietropaolo, Cambridge University Press


  • Price: ₹ 8258.00/- [ 11.00% off ]

    Seller Price: ₹ 7349.00

Estimated Delivery Time : 4-5 Business Days

Sold By: Meripustak      Click for Bulk Order

Free Shipping (for orders above ₹ 499) *T&C apply.

In Stock

We deliver across all postal codes in India

Orders Outside India


Add To Cart


Outside India Order Estimated Delivery Time
7-10 Business Days


  • We Deliver Across 100+ Countries

  • MeriPustak’s Books are 100% New & Original
  • General Information  
    Author(s)Michael J Sidnell and Contributions by D J Conacher and Contributions by Barbara Kerslake and Contributions by Pia Kleber and Contributions by C J McDonough and Contributions by Damiano Pietropaolo
    PublisherCambridge University Press
    ISBN9780521326940
    Pages328
    BindingHardcover
    LanguageEnglish
    Publish YearDecember 2007

    Description

    Cambridge University Press Sources of Dramatic Theory 1 Plato to Congreve by Michael J Sidnell and Contributions by D J Conacher and Contributions by Barbara Kerslake and Contributions by Pia Kleber and Contributions by C J McDonough and Contributions by Damiano Pietropaolo

    This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edited for students of drama and theatre. There are substantial extracts from twenty-eight writers including Plato, Aristotle, Horace, Scaliger, Castelvetro, Guarini, Sidney, Jonson, Corneille, Racine, Dryden and Congreve. The compilers have chosen writers who present detailed arguments about issues that are sill relevant to our understanding of drama and theatre. Many of the texts have been freshly translated and all have newly been annotated and introduced by the compilers, who draw attention to recurrent themes by a system of cross-references. Michael Sidnell's useful introduction explores the issues which frequently concern these writers and practitioners: the nature of imitation, the relation of dramatic text to live performance, the effect of stage action on audience emotion and behaviour - issues which still concern critics and theorists of drama today. Later volumes will cover the period from Diderot to Victor Hugo, modern dramatic theory and performance theory.show more



    Book Successfully Added To Your Cart