Description
New York University Press Whose Harlem Is This Anyway? Community Politics and Grassroots Activism during the New Negro Era 2015 Edition by Shannon King
2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how Harlemite's dynamic fight for their rights and neighborhood raised the black community's racial consciousness and established Harlem's legendary political culture In Whose Harlem Is This, Anyway?, Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues-such as high rents, jobs, leisure, and police brutality-to make their neighborhood an autonomous black community. In Whose Harlem Is This, Anyway?, Shannon King demonstrates how, against all odds, the Harlemite's dynamic fight for their rights and neighborhood raised the black community's racial consciousness and established Harlem's legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? is a vibrant story of the shaping of a community during a pivotal time in American History. Table of contents :- Contents Acknowledgments ix Introduction 1 1 The Making of the Negro Mecca: Harlem and the Struggle for Community Rights 13 2 "Not to Save the Union but to 'Free the Slaves'": Black Labor Activism and Community Politics during the New Negro Era 53 3 "Colored People Have Few Places to Which They Can Move": Tenants, Landlords, and Community Mobilization 93 4 "Maintaining 'a High Class of Respectability' in Negro Neighborhoods": Contestation and Congregation in Harlem's Geography of Vice and Leisure during the Prohibition Era 121 5 "Demand the Dismissal of Policemen Who Abuse the Privileges of Their Uniform": Racial Violence, Police Brutality, and Self-Protection 153 Conclusion 187 Notes 191 Select Bibliography 231 Index 247 About the Author 255