Description
CENGAGE Anthology For Music In Western Civilization Volume 1 Media Update International Edition 1St Edition by TIMOTHY J. RODEN
A great way to gain an in-depth understanding of Western music history, ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, International Edition, Volumes I and II, include an introduction to and a score for 224 pieces of music representing all the major European styles, genres, and composers. The anthologies are an excellent companion to Wright and Simms's MUSIC IN WESTERN CIVILIZATION._x000D_ _x000D_
Part I: ANTIQUITY AND THE MIDDLE AGES._x000D_
1. Music in Ancient Greece._x000D_
2. Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World._x000D_
3. Chant in the Monastery and Convent._x000D_
4. Music Theory in the Monastery: John of St. Gall and Guido of Arezzo._x000D_
5. Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen._x000D_
6. Troubadours and Trouveres._x000D_
7. Early Polyphony._x000D_
8. Music in Medieval Paris: Polyphony at Notre Dame._x000D_
9. Inside the Cathedral Close and University: Conductus and Motet._x000D_
10. In the Parisian Master's Study: Music Theory of the Ars Antiqua and Ars Nova._x000D_
11. Music at the Court of the French Kings: The Ars Nova._x000D_
12. Fourteenth-Century Music in Reims: Guillaume de Machaut._x000D_
13. Avignon, Symbolic Scores, and the Ars Subtilior._x000D_
Musical Interlude 1: From Medieval Manuscript to Modern Performance._x000D_
Part II: THE LATE MIDDLE AGES AND EARLY RENAISSANCE._x000D_
14. Music in Florence, 1350-1425._x000D_
15. Music at the Cathedral of Florence._x000D_
16. Music in England._x000D_
17. Music at the Court of Burgundy._x000D_
18. Music at the French Royal Court._x000D_
19. Music in the Low Countries._x000D_
Part III: THE LATE RENAISSANCE._x000D_
Musical Interlude 2: Music in the Late Renaissance._x000D_
20. Popular Music in Florence, 1470-1540: Carnival Song and Lauda, Frottola, and Early Madrigal._x000D_
21. Josquin Desprez and Music in Ferrara._x000D_
Musical Interlude 3: Music Printing During the Renaissance._x000D_
22. Music in Renaissance Paris._x000D_
23. Renaissance Instruments and Instrumental Music._x000D_
Musical Interlude 4: Music Theory in the Renaissance._x000D_
24. Music in Three German Cities: The Protestant-Catholic Confrontation._x000D_
25. Rome and the Music of the Counter-Reformation._x000D_
26. Music in Elizabethan England, Part I: Early Vocal Music._x000D_
27. Music in Elizabethan England, Part II: Later Vocal Music and Instrumental Music._x000D_
28. The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi._x000D_
Part IV: BAROQUE MUSIC._x000D_
29. Early Baroque Music._x000D_
30. The Birth of Opera: Florence, Mantua, and Venice._x000D_
31. The Concerted Style in Venice and Dresden._x000D_
32. Religious Music in Baroque Rome._x000D_
Musical Interlude 5: A Baroque Christmas in the Andes of South America._x000D_
33. Instrumental Music in Italy._x000D_
34. Instrumental Music in Germany and Austria._x000D_
35. Music in Paris and at the Court of Versailles: Vocal Music._x000D_
36. Music in Paris and at the Court of Versailles: Instrumental Music._x000D_
Musical Interlude 6: From Ancient to Modern: Aspects of Baroque Music Theory._x000D_
37. Music in London, Part I: Henry Purcell._x000D_
38. Music in London, Part II: George Frideric Handel._x000D_
39. Johann Sebastian Bach: Instrumental Music in Weimar and Coethen._x000D_
40. Johann Sebastian Bach: Vocal Music in Leipzig._x000D_