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Might is Right at Meripustak

Might is Right by Ragnar Redbeard, Metal-Inex Inc

Books from same Author: Ragnar Redbeard

Books from same Publisher: Metal-Inex Inc

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  • General Information  
    Author(s)Ragnar Redbeard
    PublisherMetal-Inex Inc
    ISBN9781682040232
    Pages130
    BindingPaperback
    LanguageEnglish
    Publish YearMay 2015

    Description

    Metal-Inex Inc Might is Right by Ragnar Redbeard

    This is unabridged original text of this infamous book. Might Is Right or The Survival of the Fittest is a book by pseudonymous author Ragnar Redbeard. First published in 1890 it heavily advocates social Darwinism amoralism and psychological hedonism. In Might is Right Redbeard rejects conventional ideas of human and natural rights and argues that only strength or physical might can establish moral right (la Callicles). Libertarian historian James J. Martin called it surely one of the most incendiary works ever to be published anywhere. Leo Tolstoy discussed the philosophy of Might Is Right in his 1897 essay What Is Art?: The substance of this book as it is expressed in the editors preface is that to measure right by the false philosophy of the Hebrew prophets and weepful Messiahs is madness. Right is not the offspring of doctrine but of power. All laws commandments or doctrines as to not doing to another what you do not wish done to you have no inherent authority whatever but receive it only from the club the gallows and the sword. A man truly free is under no obligation to obey any injunction human or divine. Obedience is the sign of the degenerate. Disobedience is the stamp of the hero. Men should not be bound by moral rules invented by their foes. The whole world is a slippery battlefield. Ideal justice demands that the vanquished should be exploited emasculated and scorned. The free and brave may seize the world. And therefore there should be eternal war for life for land for love for women for power and for gold. The earth and its treasures is booty for the bold. The author has evidently by himself independently of Nietzsche come to the same conclusions which are professed by the new artists.



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