Description
Manohar Seven Weeks After the Buddhas Enlightenment Contradictions in Text Confusions in Art by Osmund Bopearachchi
This groundbreaking volume explores a revelatory Andharan style relief recently discovered in Sri Lanka. It adds to the growing body of archaeological evidence of important exchanges between the Buddhists of Sri Lanka and their co-religionists in the Krishna Valley. This relief is the most ancient document attested to date depicting the events that took place during the first seven weeks following the enlightenment of the Buddha. Its unique iconography leads the author to closely examine contradictions between literary evidence and visual representations of what is known as the sambodhi, or perfect awakening, of the Buddha. According to the classic Buddhist texts, the Mahavastu and the Lalitavistara, the B Buddha spent seven weeks after his enlightenment near the Bodhi tree. By contrast, the Buddhist canonical text the Vinaya-Pitaka describes this period as only four weeks long. Sri Lankan and Burmese artists have preferred to depict the seven-week account. Furthermore, the seven-week motif depicted in this Andharan relief follows the chronological order given in the important Pali texts, the Nidanakatha and the Mahabodhi-Vamsa. The textual confusions and artistic contradictions uncovered by this volume present a bigger picture of the complex ways in which the story of the Buddhas life was imagined in the earliest period of recorded Buddhist history. The present study is the first in a series of books by this author on Buddhist art.About the AuthorOsmund Bopearachchi is Adjunct Professor of Central and South Asian Art, Archaeology and Numismatics at University of California, Berkeley, and Emeritus Director of Research at the French National Centre for Scientific Research (C.N.R.S. E.N.S. Paris). A numismatist, art historian, and archaeolo