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Staels Philosophy Of The Passions Sensibility Society And The Sister Arts 2014 Edition at Meripustak

Staels Philosophy Of The Passions Sensibility Society And The Sister Arts 2014 Edition by Tili Boon Cuille, Karyna Szmurlo , Bucknell University Press

Books from same Author: Tili Boon Cuille, Karyna Szmurlo

Books from same Publisher: Bucknell University Press

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  • General Information  
    Author(s)Tili Boon Cuille, Karyna Szmurlo
    PublisherBucknell University Press
    ISBN9781611486360
    Pages346
    BindingPaperback
    LanguageEnglish
    Publish YearSeptember 2014

    Description

    Bucknell University Press Staels Philosophy Of The Passions Sensibility Society And The Sister Arts 2014 Edition by Tili Boon Cuille, Karyna Szmurlo

    Sensibility, or the capacity to feel, played a vital role in philosophical reflection about the natural sciences, the social sciences, and the arts in eighteenth-century France. Yet scholars have privileged the Marquis de Sade's vindication of physiological sensibility as the logical conclusion of Enlightenment over Germaine de Stael's exploration of moral sensibility's potential for reform and renewal that paved the way for Romanticism. This volume of essays showcases Stael's contribution to the "affective revolution" in Europe, investigating the personal and political circumstances that informed her theory of the passions and the social and aesthetic innovations to which it gave rise. Contributors move seamlessly between her political, philosophical, and fictional works, attentive to the relationship between emotion and cognition and aware of the coherence of her thought on an individual, national, and international scale. They first examine the significance Stael attributed to pity, happiness, melancholy, and enthusiasm in The Influence of the Passions as she witnessed revolutionary strife and envisioned the new republic. They then explore her development of a cosmopolitan aesthetic, in such works as On Literature, Corinne, or Italy, On Germany, and The Spirit of Translation, that transcended traditional generic, national, and linguistic boundaries. Finally, they turn to her contributions to the visual and musical arts as she deftly negotiated the transition from a Neoclassical to a Romantic aesthetic. Stael's Philosophy of the Passions concludes that, rather than founding a republic based on the rights of man, Stael's reflection fostered international communities of women (artists, models, and collectors; authors, performers, and spectators), enabling them to participate in the re-articulation of sociocultural values in the wake of the French Revolution.Contributors: Tili Boon Cuille, Catherine Dubeau, Nanette Le Coat, Christine Dunn Henderson, Karen de Bruin, M. Ione Crummy, Jennifer Law-Sullivan, Lauren Fortner Ravalico, C. C. Wharram, Kari Lokke, Susan Tenenbaum, Mary D. Sheriff, Heather Belnap Jensen, Fabienne Moore, Julia Effertz



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